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Ma l'amor mio non muore... 1914 Movie

Ma l'amor mio non muore...

CountryItaly ,

DescriptionLeslie Swayne, an adventurer, in order to obtain enough money to satisfy the needs of his extravagant life, has been bribed to steal the plans of the fortification from the staff officers ... ...

Star Rating

Vote Average 6.2/10 By 100 People (IMDB)

Date of Release 1/1/1914

Genres #Drama

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Ma l'amor mio non muore... | (1914) Movie Data

Ma l'amor mio non muore...
Ma l'amor mio non muore...
Ma l'amor mio non muore...
Ma l'amor mio non muore...

Description Ma l'amor mio non muore...: Directed by Mario Caserini. With Lyda Borelli, Mario Bonnard, Gian Paolo Rosmino, Vittorio Rossi Pianelli. Leslie Swayne, an adventurer, in order to obtain enough money to satisfy the needs of his extravagant life, has been bribed to steal the plans of the fortification from the staff officers of the Grand Duchy of Wallenstein. This undertaking, which at one time would have seemed difficult to him, becomes very easy, due to the friendship between himself and Colonel Julius Holbein, chief of the staff, and father of Elsa, for whom Swayne has shown a great deal of friendship, and in return he has Elsa's sincere love. After a dinner held at the Colonel's, during which the villain Swayne whispered sweet words of love into Elsa's ear, he succeeds in stealing the desired documents, and, protected by the darkness of the night, he escapes. Overcome by the sad reality, the Colonel is in a desperate state of mind. Elsa tries to efface from her mind her terrible suspicions, but in going to the hotel she learns of the sudden departure of Swayne, and her suspicions are confirmed. Colonel Holbein, to whom the precious document had been entrusted, is suspected as a traitor. This man shot himself for being so wrongfully accused. Elsa is asked by the Grand Duchy of Wallenstein to leave the Duchy, and is taken to one of the stations of the domain, where she is abandoned. Possessed of the qualities of a pianist and singer, under the false name of Marjorie Manners, she becomes famous. At her first performance she receives flowers from a large number of admirers, and long applause, but the memory of her father comes to her suddenly and that recollection takes away the joy of her triumph. One evening, while she is eating on the terrace of a hotel surrounded by ardent admirers, Marjorie is surprised at the sight of a young man, sad and pale like herself, who is observing her with a languid look. The pale young man is the Prince Arthur of Wallenstein, the son of the Grand Duke, who has come to the Riviera to recuperate from a long illness, under the name of Count L'Estrange. Surprised by the divine beauty and charm of Marjorie, he is a constant visitor at the theater. One morning they chance to meet and immediately they understand each other and a sense of sympathy seems to envelop their souls. They gaze into each other's eyes and seal their unspoken troth by a lingering kiss. From that day on their love becomes more intense and soon they are married. On board a ship the living apparition of the villain, Swayne, appears before them. Marjorie faints. Arthur calls for help and in the meanwhile Swayne approaches Marjorie, begging for her pardon and love. She repulses him violently, and just at that, instant Arthur returns. Swayne, to avenge himself, advises the Prince's country that the Prince amuses himself with sweet woman while the Duchy is in danger, and the Duke of Wallenstein recalls his son home. While Marjorie and Arthur are together at the hotel the message arrives, and his wife finds out who is her husband. She realizes then that she could not hide her true name any longer, and Colonel Theubner, an old friend of her poor father, tells the Prince the truth. She gets up and departs like a crazy person, and a few days later she returns to the theater which she had left. Arthur, through the Colonel, learns Elsa's history and the reason why she is compelled to go upon the stage, but in spite of this information he continues to look for her. He finds her, pale and trembling. His eyes fixed upon her from his box in the theater. Suddenly Elsa observes his look. She becomes pale, trembles, and tries to control herself, but drops to the floor. The curtain falls; the Prince hurries to her and while he feels her getting cold in his arms, he hears these feeble words, "But my love shall never die." Poor Elsa, after so many troubles and anxieties, had taken poison, as she wished to die for him upon the stage that brought her so much applause.

Story Line Leslie Swayne, an adventurer, in order to obtain enough money to satisfy the needs of his extravagant life, has been bribed to steal the plans of the fortification from the staff officers of the Grand Duchy of Wallenstein. This undertaking, which at one time would have seemed difficult to him, becomes very easy, due to the friendship between himself and Colonel Julius Holbein, chief of the staff, and father of Elsa, for whom Swayne has shown a great deal of friendship, and in return he has Elsa's sincere love. After a dinner held at the Colonel's, during which the villain Swayne whispered sweet words of love into Elsa's ear, he succeeds in stealing the desired documents, and, protected by the darkness of the night, he escapes. Overcome by the sad reality, the Colonel is in a desperate state of mind. Elsa tries to efface from her mind her terrible suspicions, but in going to the hotel she learns of the sudden departure of Swayne, and her suspicions are confirmed. Colonel Holbein, to whom the precious document had been entrusted, is suspected as a traitor. This man shot himself for being so wrongfully accused. Elsa is asked by the Grand Duchy of Wallenstein to leave the Duchy, and is taken to one of the stations of the domain, where she is abandoned. Possessed of the qualities of a pianist and singer, under the false name of Marjorie Manners, she becomes famous. At her first performance she receives flowers from a large number of admirers, and long applause, but the memory of her father comes to her suddenly and that recollection takes away the joy of her triumph. One evening, while she is eating on the terrace of a hotel surrounded by ardent admirers, Marjorie is surprised at the sight of a young man, sad and pale like herself, who is observing her with a languid look. The pale young man is the Prince Arthur of Wallenstein, the son of the Grand Duke, who has come to the Riviera to recuperate from a long illness, under the name of Count L'Estrange. Surprised by the divine beauty and charm of Marjorie, he is a constant visitor at the theater. One morning they chance to meet and immediately they understand each other and a sense of sympathy seems to envelop their souls. They gaze into each other's eyes and seal their unspoken troth by a lingering kiss. From that day on their love becomes more intense and soon they are married. On board a ship the living apparition of the villain, Swayne, appears before them. Marjorie faints. Arthur calls for help and in the meanwhile Swayne approaches Marjorie, begging for her pardon and love. She repulses him violently, and just at that, instant Arthur returns. Swayne, to avenge himself, advises the Prince's country that the Prince amuses himself with sweet woman while the Duchy is in danger, and the Duke of Wallenstein recalls his son home. While Marjorie and Arthur are together at the hotel the message arrives, and his wife finds out who is her husband. She realizes then that she could not hide her true name any longer, and Colonel Theubner, an old friend of her poor father, tells the Prince the truth. She gets up and departs like a crazy person, and a few days later she returns to the theater which she had left. Arthur, through the Colonel, learns Elsa's history and the reason why she is compelled to go upon the stage, but in spite of this information he continues to look for her. He finds her, pale and trembling. His eyes fixed upon her from his box in the theater. Suddenly Elsa observes his look. She becomes pale, trembles, and tries to control herself, but drops to the floor. The curtain falls; the Prince hurries to her and while he feels her getting cold in his arms, he hears these feeble words, "But my love shall never die." Poor Elsa, after so many troubles and anxieties, had taken poison, as she wished to die for him upon the stage that brought her so much applause. —Moving Picture World synopsis(IMDB)

Language Italian

Director Mario Caserini

Writer Emiliano Bonetti, G. Monleone

Actors Lyda Borelli , Mario Bonnard , Gian Paolo Rosmino , Vittorio Rossi Pianelli , Dante Cappelli , Maria Caserini , Camillo De Riso , Emilio Petacci , Antonio Monti , Letizia Quaranta , Felice Metellio , Gentile Miotti ,

Production Company Film Artistica Gloria

Budget $

Duration 90 m

Vote 6.2 from 100 votes

Reviews From Users

Reviews From Critics 4

Reviews(Top) We have most of us gotten used to experiencing how a typical film scene is constructed, there are even textbooks giving us the guidelines.A master shot taken from a longer distance is usually followed by dissolves or cutaways to medium or closer shots within the scene, or a zoom lens is used to move us forcefully within or back out from the space, or the camera itself pivots in a panning shot or moves forward with tracking or handheld or Steadicam. It is bracing and actually quite fascinating to see in this feature length melodrama made in 1913 a totally different approach. in one of the first shots we see, the camera remains fixed in front of a large drawing room with two other rooms revealed in the background to the right (a darkly lit office/bedroom) and through the dramatic opening of a partition to the left (a dining room.) For several minutes characters move into and out of the fixed view and recede into the background with only two brief cutaways to clarify the events: The decadent young man we have been introduced to in the film's first shot is flirting with the heroine (daughter of a military official) and later he takes advantage of the absence of others to steal military plans. As viewers used to having things brought to our attention more clearly, we need to pay closer attention to the characters to realize what is actually going on. This technique is used elsewhere in the film and adds dramatic interest to what is otherwise a rather dated woman's picture.The other point of historical interest is the foregrounding of performer Lydia Borelli in the role of the officer's daughter. She is drawn into a new life as a singer/actress to hide her shameful former identity as the daughter of an officer who let military material escape his responsibility .In this new role Borelli gets to display on stage an enactment of popular theater characters of the early 20th century. she is shot, except for one later scene where we get her lover's point of view, from a position backstage (not the usual way we are used to seeing a performance.) The Italian silent cinema would go on to develop a series of fantastic "diva" vehicles centering on such extravagant and flamboyant feminine depictions, this was one of the first.



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